The First Modern Comedies: The Significance of Etherege, Wycherley, and Congreve, Volume 10

action actor affectation appearance and nature audience becomes called century changes characters comes comic Congreve Congreve's contrast course creates critics deal describes desires develops disguise Dorimant drama Elizabethan emotional English Etherege example Face fact final fools forced Freeman give hero heroic Horner husband idea ideal important inner intrigue keep kind knowledge Lady language laugh least less London look lovers Manly manners marriage marry means metaphor mind Mirabell moral never opening passion play plot pretense Professor reality reason relation represent Restoration comedy says scene seems sense separation shows simply situation social society speak speech stage suggests tells theater theme things thought tion town true turn University Valentine virtue whole Wife woman women writers wrong wrote Wycherley young