Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries

Front Cover
Bloomsbury Publishing, 2010 M04 9 - 419 pages
When it was first published, Radical Tragedy was hailed as a groundbreaking reassessment of the drama of Shakespeare and his contemporaries. An engaged reading of the past with compelling contemporary significance, Radical Tragedy remains a landmark study of Renaissance drama and a classic of cultural materialist criticism. The corrected and reissued third edition of this critically acclaimed work includes a candid new Preface by the author and features a Foreword by Terry Eagleton.
 

Contents

Marstons Antonio Plays c 15991601
Providence and Natural Law
From Resolution to Dislocation
Two Concepts of Mimesis
The Disintegration of Providentialist Belief
Subversion Through Transgression
Ruined Aesthetic Ruined Theology
History and Realpolitik

Returns
Knowledge and Desire
Notes
Bibliography
Introduction to the Second Edition
Tragedy and Politics
ContainmentSubversion
Reading Contradictions
Marginality
Subjectivity or Writing off the Unitary Self
God and
Contexts
Providence Parody and Black
Subjectivity and Social Process
A Hero at Court
King Lear c 16056 and Essentialist Humanism
Virtus under Erasure
The Chariot Wheel and its Dust
Essentialism and Class
Transgression Without Virtue
Beyond Essentialist Humanism
Notes
Bibliography of Work Cited
Index of Names and Texts

Other editions - View all

Common terms and phrases

About the author (2010)

JONATHAN DOLLIMORE was formerly Professor of English at the University of York, UK. His books include Political Shakespeare: Essays in Cultural Materialism (with Alan Sinfield, 1985, 2nd ed 1994), Sexual Dissidence: Augustine to Wilde, Freud to Foucault (1991), Death, Desire and Loss in Western Culture (1998), and Sex, Literature and Censorship (2000).

Bibliographic information