Hamlet Studies, Volume 6Vikas Publishing House, 1984 |
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Page 48
... actors neither increase nor decrease the effectiveness of a play , especially tragedy . But this is not true . Indeed , just one sentence before the statement under reference , Johnson says that " familiar comedy is often more powerful ...
... actors neither increase nor decrease the effectiveness of a play , especially tragedy . But this is not true . Indeed , just one sentence before the statement under reference , Johnson says that " familiar comedy is often more powerful ...
Page 62
... actor , his pronunciation and tone , and his other peculiarities are a barrier rather than a help towards the full appreciation of Shakespeare's characters , especially Hamlet who is a complex figure beyond the reach of actors.38 There ...
... actor , his pronunciation and tone , and his other peculiarities are a barrier rather than a help towards the full appreciation of Shakespeare's characters , especially Hamlet who is a complex figure beyond the reach of actors.38 There ...
Page 63
... actors of the play on the other . Popple , though himself an obscure dramatist , has some perceptive things to say in his essay . " Actors and managers have not always penetration enough to dive into the truth of character and are ...
... actors of the play on the other . Popple , though himself an obscure dramatist , has some perceptive things to say in his essay . " Actors and managers have not always penetration enough to dive into the truth of character and are ...
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action actors Addison allusion Amleth appears attraper audience bad quarto bécasse character Claudius Claudius's context contrast copy critics custom Dane Danish death delay Denmark Dennis dramatic edition eighteenth century Elizabethan embedded narratives Enginer English essay father foreign Fortinbras François-Victor Hugo Gertrude Gildon Guildenstern Gunner Hamlet Studies Hanmer Hoist Horatio imagery Joseph Papp Kathleen Widdoes Laertes lines literary literature London madness melancholy metaphor moral murder narrator nature notes Ophelia Osric Papp peare peare's petar Peter Whalley Player King plot poetic justice Poland pollax Polonius Polonius's Prince pris propre piège quarto question R.W. Desai readers reading reference reflexivity Renaissance revenge Review Robert rogue Romeo and Juliet Rosencrantz Sapper satirical Saxo Saxo Grammaticus Saxo's says scene seems sense Shakes Shakespeare Shakespeare's plays soliloquy speech stage story suggestion syphilis tale tells Theobald tion tragedy University Press walking Warburton William woodcock words writes York