The Theory of Drama in the Restoration Period

accept action added admiration affected altogether Aristotle attack attitude audience become called century characters chief claimed comedy of manners comic concern Congreve contemporary critical Dedication defence demanded described destroy drama Dryden elements English Epilogue Essay example expressed fact fancy farce Follies Fools French give hero heroic play Honour human humour Ibid imitation important interesting John kind King Ladies Love Lovers mean merely mind moral natural needs never observed opera passions perhaps period persons pity playwrights pleasure poet poetic justice poetry practice Preface present Prologue proper question raised reason regarded rejected remarks represented Restoration rhyme rules Rymer satire says Scenes seems sense sentimental serious Shadwell Shakespeare significant stage style tells terror theory things Thomas thought tragedy tragi-comedy tragic treated true unities verse vice virtue women write