...stately garden thereunto. And thus ten miles of fertile ground were inclosed with u wall.' The author continued for about three hours in a profound sleep,...things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to...

...lines of poetry — " if that indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production...sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained above an hour, he found to...

...stately garden thereunto : and thus ten miles of fertile ground were inclosed with a wall." The author continued for about three hours in a profound sleep,...composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions, without any sensation or consciousness...

...of this composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of...

...stately garden thereunto. And thus ten miles of fertile ground were enclosed with a wall.' The author continued for about three hours in a profound sleep,...least of the external senses, during which time he had the most vivid confidence, that he could not have composed less than from two to three hundred...

...senses, during which time he luw the most vivid confidence, that he could not have compound less tlmn from two to three hundred lines ; if that indeed can be called composition in which all the images roso up before him as things, with a parallel production of the correspondent expressions, without...

...stately garden thereunto : and thus ten miles of fertile ground were enclosed with a wall." The author continued for about three hours in a profound sleep, at least of the external senses, daring which time he has the most vivid confidence, that he could not have composed less than from...

...Mr. Coleridge' • •tatement we consider onrvelres justified in retaining our o»n ikith therein.. two to three hundred lines ; if that indeed can be...without any sensation or consciousness of effort." Ou awaking he instantly sat down to commit his poem to paper. After having written so many lines as...

...wall." The author continued for abou' three hours in a profound sleep, at least of the external KIUWB, during which time he has the most vivid confidence...if that indeed can be called composition in which nil the images rose up before him as tkiitgr, with a parallel production of tbe correspondent expressions,...

...denial of Mr. Coleridge's statement we consider ourselves jusufod in retaining our own faith therein. two to three hundred lines ; if that indeed can be...called composition in which all the images rose up hefore him as things, with a parallel production of the correspondent expressions, without any sensation...