Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
From inside the book
Results 1-3 of 19
Page 247
... Creizenach's defence . If Shakespeare presented witches and witchcraft ( as he did ) fully or inci- to take a single casual expression like this , in soliloquy , with two men behind the arras , as evidence of Hamlet's scepticism or of ...
... Creizenach's defence . If Shakespeare presented witches and witchcraft ( as he did ) fully or inci- to take a single casual expression like this , in soliloquy , with two men behind the arras , as evidence of Hamlet's scepticism or of ...
Page 274
... Creizenach . 84 34 For the German plays , v . Creizenach ( 1893 ) , i , pp . 205 , 406 , 419 . Klein , Geschichte des Dramas , iv , 239-40 . 36 Creizenach ( 1903 ) , iii , 199-207 , for the Portuguese . $ 7 Orsù , dieci scudi e quattro ...
... Creizenach . 84 34 For the German plays , v . Creizenach ( 1893 ) , i , pp . 205 , 406 , 419 . Klein , Geschichte des Dramas , iv , 239-40 . 36 Creizenach ( 1903 ) , iii , 199-207 , for the Portuguese . $ 7 Orsù , dieci scudi e quattro ...
Page 295
... Creizenach recognizes . That Shakespeare himself should have taken interest would not matter here ; though for Creizenach's hint that he took it I know of no warrant in fact . In his suit against John Addenbrooke , March 15 , 1609 , he ...
... Creizenach recognizes . That Shakespeare himself should have taken interest would not matter here ; though for Creizenach's hint that he took it I know of no warrant in fact . In his suit against John Addenbrooke , March 15 , 1609 , he ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote