Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 155
... Molière's . Only two or three of Shake- speare's comedies are comic fairly all through - the others are fantastic , romantic , or tragic , as well ; while Jonson's and Molière's are comic essentially and entirely , in so far as great ...
... Molière's . Only two or three of Shake- speare's comedies are comic fairly all through - the others are fantastic , romantic , or tragic , as well ; while Jonson's and Molière's are comic essentially and entirely , in so far as great ...
Page 156
... Molière's or Jonson's - the all - pervading critical ' comic spirit ' and a plot wholly to fit and suit . His charac- ters make fun , breathe fun , seldom are made fun of . He has clowns as Molière or Jonson has none , and even his ...
... Molière's or Jonson's - the all - pervading critical ' comic spirit ' and a plot wholly to fit and suit . His charac- ters make fun , breathe fun , seldom are made fun of . He has clowns as Molière or Jonson has none , and even his ...
Page 178
... Molière , and Molière himself has it not in such measure as the farces . I am not trying to prove that the influence lay here or there but only that the art in question was Latin- Italian , French , or Spanish - rather than English or ...
... Molière , and Molière himself has it not in such measure as the farces . I am not trying to prove that the influence lay here or there but only that the art in question was Latin- Italian , French , or Spanish - rather than English or ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote