Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 119
... dramatist's characters are real people . On the contrary , he has but scotched the snake , not killed it , and ... dramatist's personage is a mere projection of one man's mind , limited by his powers of observation and imagination , and ...
... dramatist's characters are real people . On the contrary , he has but scotched the snake , not killed it , and ... dramatist's personage is a mere projection of one man's mind , limited by his powers of observation and imagination , and ...
Page 127
... dramatist ( at least ) Shakespeare knew nothing , this character has truly not been made a ' perfectly comprehensible man . ' He is beyond our present powers of analysis , some even say , though if that be true , except as it is true of ...
... dramatist ( at least ) Shakespeare knew nothing , this character has truly not been made a ' perfectly comprehensible man . ' He is beyond our present powers of analysis , some even say , though if that be true , except as it is true of ...
Page 364
... dramatist- no dramatist after all before the middle of the nineteenth century - quite realized , or showed that he realized , that a character is not one who tells his story but acts it , and speaks , not for audience or dramatist , but ...
... dramatist- no dramatist after all before the middle of the nineteenth century - quite realized , or showed that he realized , that a character is not one who tells his story but acts it , and speaks , not for audience or dramatist , but ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote