Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 83
... imagination alone ; no doubt he had emotional capacity , a fund of emotional experience within him , but his imagination was not fettered to the emotion of the moment ; and this fallacy or illusion which the learned fol- low confounds ...
... imagination alone ; no doubt he had emotional capacity , a fund of emotional experience within him , but his imagination was not fettered to the emotion of the moment ; and this fallacy or illusion which the learned fol- low confounds ...
Page 232
... imagination the rein and taking possession of ours . Still , intellect and imagination are not things apart , but one is the avenue or vestibule to the other ; and we can perceive something of the poet's 91 See chapter i , page 24 ...
... imagination the rein and taking possession of ours . Still , intellect and imagination are not things apart , but one is the avenue or vestibule to the other ; and we can perceive something of the poet's 91 See chapter i , page 24 ...
Page 233
... imagination . There all is belief - Death in L'Intruse is as real as the ghosts of Banquo and Hamlet's father - but disbelief had barred the way . It is a willing suspension of disbelief for the moment , as Coleridge says , that ...
... imagination . There all is belief - Death in L'Intruse is as real as the ghosts of Banquo and Hamlet's father - but disbelief had barred the way . It is a willing suspension of disbelief for the moment , as Coleridge says , that ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote