The Civic Spectacle: Essays on Drama and CommunityIn this exploration of four plays by Aeschylus, Euripides, Machiavelli and Shakespeare, Mera Flaumenhaft argues that, by revising well-known myths or histories, each playwright reshapes the community for which he writes. Emphasizing the context in which the plays have been read and performed, she examines the moral and political effects of each drama and its production, from the role of classical tragedy in MAINtaining the classical city, to the role of the modern history play in forming and maintaining the nation-state. Flaumenhaft demonstrates how the playwright's presentation of political themes within each drama relates to his view of the broadly political function of theater in his society. |
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Contents
Seeing Justice Done Aeschyluss Oresteia | 5 |
Looking Together in Athens Euripides Bacchae and the Festival of Dionysus | 55 |
The Comic Remedy in Private Spectacle Machiavellis Mandragola | 83 |
Three Views of Henry V Shakespeare Olivier and Branagh | 125 |
Index | 163 |
167 | |
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action actors Aeschylus Agamemnon aims ancient appear arrangements Athenian Athens attention audience battle become beginning blood Branagh camera chapter characters Chorus Christian citizens civic Clytemnestra comedy comic continued conventional court dance depicts desire Dionysus discussion drama earlier earth effect English example eyes father feel festival film follow France French Furies gods Greek hands Henry Henry's human interest justice king language less live look Machiavelli Mandragola means moral move murder nature never Olivier Olivier's once Orestes performance perhaps Plautus play plot political present Prince punishment questions recognize remind revenge Roman says scene seems seen Shakespeare's shows speaks spectators speech stage story suggests teachings theater things tragedies trial turn Unlike violations virtue visible watch whole witness women young