ELH., Volume 71Johns Hopkins University Press, 2004 ELH publishes studies that interpret the conditions affecting major works in English and American literature. The journal seeks to emphasize the importance of historical continuity in the discipline of letters without sponsoring particular methods or aims. |
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Page 165
... argues that some of the illustrations to Milton show " drastic homoerotic implications " ( " Style and Iconography in the Illustrations of Blake's Milton , " Blake Studies 6 [ 1973 ] : 67 ) . Christopher Z. Hobson is more circumspect ...
... argues that some of the illustrations to Milton show " drastic homoerotic implications " ( " Style and Iconography in the Illustrations of Blake's Milton , " Blake Studies 6 [ 1973 ] : 67 ) . Christopher Z. Hobson is more circumspect ...
Page 350
... argues that because " reading and re - reading are rarely historically sequen- tial " activities , we should stop behaving as if they were and legitimize what most people do anyway by producing , in a phrase he quotes from Hans Robert ...
... argues that because " reading and re - reading are rarely historically sequen- tial " activities , we should stop behaving as if they were and legitimize what most people do anyway by producing , in a phrase he quotes from Hans Robert ...
Page 495
... argues that the " middle devil " in the novel's famous twenty - fifth chapter may be based on Adorno ( 370 ) . Meyer's claim has recently been challenged by Michael Maar , who argues that Mann had the composer Gustav Mahler , not Adorno ...
... argues that the " middle devil " in the novel's famous twenty - fifth chapter may be based on Adorno ( 370 ) . Meyer's claim has recently been challenged by Michael Maar , who argues that Mann had the composer Gustav Mahler , not Adorno ...
Contents
Constructing the Sexual Subject of John Skelton | 29 |
Merrie John Heywood | 53 |
Wit Print Performance | 89 |
Copyright | |
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