ELH., Volume 71Johns Hopkins University Press, 2004 ELH publishes studies that interpret the conditions affecting major works in English and American literature. The journal seeks to emphasize the importance of historical continuity in the discipline of letters without sponsoring particular methods or aims. |
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Page 141
... figure was his own imagination.2 More recently G. E. Bentley , Jr. has pointed out that this figure " bears a disconcerting resemblance " to the monochrome wash self- portrait of Blake that was discovered in 1974 ( figure 2 ) .3 Both ...
... figure was his own imagination.2 More recently G. E. Bentley , Jr. has pointed out that this figure " bears a disconcerting resemblance " to the monochrome wash self- portrait of Blake that was discovered in 1974 ( figure 2 ) .3 Both ...
Page 143
... figure's libidinous gaze is intended for women viewers . It appears then that the reason Bentley finds the similarity between the figures in these drawings disconcerting is because the libidinous gaze of the figure in the " Visionary ...
... figure's libidinous gaze is intended for women viewers . It appears then that the reason Bentley finds the similarity between the figures in these drawings disconcerting is because the libidinous gaze of the figure in the " Visionary ...
Page 150
... figure's overtly erotic expression . But this attempt to tame the figure does not succeed . The uncanny configuration in the middle of the figure's forehead still appears strangely familiar . Geoffrey Keynes believes this configuration ...
... figure's overtly erotic expression . But this attempt to tame the figure does not succeed . The uncanny configuration in the middle of the figure's forehead still appears strangely familiar . Geoffrey Keynes believes this configuration ...
Contents
Constructing the Sexual Subject of John Skelton | 29 |
Merrie John Heywood | 53 |
Wit Print Performance | 89 |
Copyright | |
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