Lectures on Painting

Academy action admirable Agasias Agostino Agostino Carracci ancient Annibale Carracci antique Apelles appears artist beauty breadth called Carracci cartoon celebrated character chiaroscuro Christ colour composition conception Correggio degree dignity discrimination Domenichino drapery drawing effect energy equally established Eupompus excellence execution exhibit expression fancy female figure frescoes gallery genius Giorgione give grace grandeur Greeks groups hand harmony honour hues human idea imitation invention judgment Last Judgment LECTURE Leonardo Leonardo da Vinci less light and shade Lodovico Carracci Lysippus manner masses master means ment Michelangelo mind nature objects observed painter painting Parrhasius passion Pellegrino Tibaldi perfection perhaps Phidias picture Pliny Polygnotus possession Poussin powers principle produced proportion propriety Quintilian racter Raphael Rembrandt Reynolds Roman Rome Rubens says scenery sculpture simplicity splendour sublime taste things Timanthes Tintoretto tints tion Titian tone truth variety Vasari Venetian vigour Vinci whilst whole