Shakespeare Studies: Historical and Comparative in MethodG.E. Stechert & Company, 1942 - 502 pages |
From inside the book
Results 1-3 of 71
Page xi
Historical and Comparative in Method Elmer Edgar Stoll. FALSTAFF CHAPTER VIII • ( 1 ) Morgann's opinion that Falstaff is no real coward , which has held for a century and a half , is a philo- sophic and literary reading of the character ...
Historical and Comparative in Method Elmer Edgar Stoll. FALSTAFF CHAPTER VIII • ( 1 ) Morgann's opinion that Falstaff is no real coward , which has held for a century and a half , is a philo- sophic and literary reading of the character ...
Page 415
Historical and Comparative in Method Elmer Edgar Stoll. 4 . Falstaff's cowardice appears still more clearly when the Gadshill incident is viewed in detail . There is the testi- mony of the Prince , Poins , and Falstaff himself . Four ...
Historical and Comparative in Method Elmer Edgar Stoll. 4 . Falstaff's cowardice appears still more clearly when the Gadshill incident is viewed in detail . There is the testi- mony of the Prince , Poins , and Falstaff himself . Four ...
Page 426
... Falstaff ; and our knight's reputation for valour had been as lightly won as that of Beaumont's Bessus , though he has not Bessus ' reason to lament the winning of it . " Obviously Lancaster and the audience know more about that and his ...
... Falstaff ; and our knight's reputation for valour had been as lightly won as that of Beaumont's Bessus , though he has not Bessus ' reason to lament the winning of it . " Obviously Lancaster and the audience know more about that and his ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
incident to the normal comic violations of decorum | 17 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
actor Antony appears artist Atheist's Tragedy audience Banquo Bradley Brutus century chapter character Cleopatra Comedy of Manners comic conscience contrast Creizenach Criminals critics Cymbeline death delight devil doubt dramatist dream effect Elizabethan drama English fact Falstaff farces father French ghost Hamlet hand Harpagon Henry Henry VI hero Horatio human humour hypocrite Iago imagination instance irony Jonson Julius Cæsar King Lear Lady Macbeth less literature matter means Merchant of Venice method mind modern Molière Molière's moral motives murder nature opinion Othello passion person Plautus play poet popular present Professor reality repetition revenge revenge play Richard Richard III romantic says scene scepticism seems seen sense sentiment Shake Shakespeare Shylock situation soul speak speare speech spirit stage story supernatural superstition sure technique thing thought tion to-day tragedy tragic turn usury Venice villain wife witches words writing