Shakespeare Studies: Historical and Comparative in MethodG.E. Stechert & Company, 1942 - 502 pages |
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Page 140
... Horatio , Rosen- crantz and Guildenstern . Horatio could have commented critically , in the fulness of knowledge ; and others , who were not in the secret and had not the key to Hamlet's character , could at least have made such ...
... Horatio , Rosen- crantz and Guildenstern . Horatio could have commented critically , in the fulness of knowledge ; and others , who were not in the secret and had not the key to Hamlet's character , could at least have made such ...
Page 209
... Horatio is indeed convinced , and so perforce are we . Reasoning or argument , quite rightly , there is none . Horatio is not a sceptic on principle " but simply a man of enlightenment and common sense , who , having never yet seen a ...
... Horatio is indeed convinced , and so perforce are we . Reasoning or argument , quite rightly , there is none . Horatio is not a sceptic on principle " but simply a man of enlightenment and common sense , who , having never yet seen a ...
Page 216
... Horatio had thought of that before . Horatio has it in mind when he questions the spirit : What art thou that usurp'st this time of night , Together with that fair and warlike form In which the majesty of buried Denmark Did sometimes ...
... Horatio had thought of that before . Horatio has it in mind when he questions the spirit : What art thou that usurp'st this time of night , Together with that fair and warlike form In which the majesty of buried Denmark Did sometimes ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
incident to the normal comic violations of decorum | 17 |
Copyright | |
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actor Antony appears artist Atheist's Tragedy audience Banquo Bradley Brutus century chapter character Cleopatra Comedy of Manners comic conscience contrast Creizenach Criminals critics Cymbeline death delight devil doubt dramatist dream effect Elizabethan drama English fact Falstaff farces father French ghost Hamlet hand Harpagon Henry Henry VI hero Horatio human humour hypocrite Iago imagination instance irony Jonson Julius Cæsar King Lear Lady Macbeth less literature matter means Merchant of Venice method mind modern Molière Molière's moral motives murder nature opinion Othello passion person Plautus play poet popular present Professor reality repetition revenge revenge play Richard Richard III romantic says scene scepticism seems seen sense sentiment Shake Shakespeare Shylock situation soul speak speare speech spirit stage story supernatural superstition sure technique thing thought tion to-day tragedy tragic turn usury Venice villain wife witches words writing