Shakespeare Studies: Historical and Comparative in MethodG.E. Stechert & Company, 1942 - 502 pages |
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Page 233
... sense of reality . ' It is otherwise with Shakespeare . He does no violence , indeed , to the sense of reality in a reader or spec- tator who can enter into the spirit of Elizabethan art , and yet he does not leave him dubious . It is ...
... sense of reality . ' It is otherwise with Shakespeare . He does no violence , indeed , to the sense of reality in a reader or spec- tator who can enter into the spirit of Elizabethan art , and yet he does not leave him dubious . It is ...
Page 247
... sense , but the common sense of his day , not ours - in the seventeenth century the sen- sible , enlightened Reginald Scot was called ridiculous- and he was above all humane . The impression of this last quality is impaired by ...
... sense , but the common sense of his day , not ours - in the seventeenth century the sen- sible , enlightened Reginald Scot was called ridiculous- and he was above all humane . The impression of this last quality is impaired by ...
Page 362
... sense of sin seldom over- rides his sense of fact , has to consider it important and good . Or , as Croce says , we consider it good because we intend to do it : Per risolversi a un'azione ( dicono ) , è necessario aver giudicato ...
... sense of sin seldom over- rides his sense of fact , has to consider it important and good . Or , as Croce says , we consider it good because we intend to do it : Per risolversi a un'azione ( dicono ) , è necessario aver giudicato ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
incident to the normal comic violations of decorum | 17 |
Copyright | |
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actor Antony appears artist Atheist's Tragedy audience Banquo Bradley Brutus century chapter character Cleopatra Comedy of Manners comic conscience contrast Creizenach Criminals critics Cymbeline death delight devil doubt dramatist dream effect Elizabethan drama English fact Falstaff farces father French ghost Hamlet hand Harpagon Henry Henry VI hero Horatio human humour hypocrite Iago imagination instance irony Jonson Julius Cæsar King Lear Lady Macbeth less literature matter means Merchant of Venice method mind modern Molière Molière's moral motives murder nature opinion Othello passion person Plautus play poet popular present Professor reality repetition revenge revenge play Richard Richard III romantic says scene scepticism seems seen sense sentiment Shake Shakespeare Shylock situation soul speak speare speech spirit stage story supernatural superstition sure technique thing thought tion to-day tragedy tragic turn usury Venice villain wife witches words writing