Shakespeare Studies: Historical and Comparative in MethodG.E. Stechert & Company, 1942 - 502 pages |
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Page 14
Historical and Comparative in Method Elmer Edgar Stoll. speare grow personal ( for the remarks upon the little eyases , rivals to his company , in Hamlet , have to do with a Company affair ) , when , remembering his poaching days ...
Historical and Comparative in Method Elmer Edgar Stoll. speare grow personal ( for the remarks upon the little eyases , rivals to his company , in Hamlet , have to do with a Company affair ) , when , remembering his poaching days ...
Page 43
... to men's clothing much more than they do to - day , just as they did not all fall in love at sight , though they do in Shakespeare . The spirit of romance , again , works these quick changes , external and internal , but also the desire for ...
... to men's clothing much more than they do to - day , just as they did not all fall in love at sight , though they do in Shakespeare . The spirit of romance , again , works these quick changes , external and internal , but also the desire for ...
Page 253
... to question than theirs . SHAKESPEARE NOT SUPERSTITIOUS Yet Shakespeare is not what even to - day should be called superstitious . I have above compared him to Sophocles , untouched by the spirit of zeal , cruelty , or gloom . Inher ...
... to question than theirs . SHAKESPEARE NOT SUPERSTITIOUS Yet Shakespeare is not what even to - day should be called superstitious . I have above compared him to Sophocles , untouched by the spirit of zeal , cruelty , or gloom . Inher ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
incident to the normal comic violations of decorum | 17 |
Copyright | |
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actor Antony appears artist Atheist's Tragedy audience Banquo Bradley Brutus century chapter character Cleopatra Comedy of Manners comic conscience contrast Creizenach Criminals critics Cymbeline death delight devil doubt dramatist dream effect Elizabethan drama English fact Falstaff farces father French ghost Hamlet hand Harpagon Henry Henry VI hero Horatio human humour hypocrite Iago imagination instance irony Jonson Julius Cæsar King Lear Lady Macbeth less literature matter means Merchant of Venice method mind modern Molière Molière's moral motives murder nature opinion Othello passion person Plautus play poet popular present Professor reality repetition revenge revenge play Richard Richard III romantic says scene scepticism seems seen sense sentiment Shake Shakespeare Shylock situation soul speak speare speech spirit stage story supernatural superstition sure technique thing thought tion to-day tragedy tragic turn usury Venice villain wife witches words writing