Imageless Truths: Shelley's Poetic FictionsUniversity of Pennsylvania Press, 1994 - 227 pages In Imageless Truths, Karen A. Weisman offers a new reading of Shelley's work in the context of the poet's changing constructions of poetic fictions. Shelley's understanding of language in general, and of the fictions and their rhetorical trope in particular, evolved throughout his career, and Weisman argues that it is in his self-consciousness over these transformations that we can find the primary motivating factor in the poet's philosophical and literary development. Weisman discerns in Shelley an ongoing quest for a mode of fiction-making that can accommodate both the poet's belief in a "metaphysical ultimate" and his anxiety over the implications of grounding poetic fictions too firmly in the details of everyday life. If Shelley's awareness of fictionality is a major element in the poetry, it is an awareness that comes with the troubled sense of the limits of fiction. Weisman contents that it is this persistent, double-edged anxiety that distinguishes Shelley from the other English Romantics. Her point is not intended to deny the validity or the continuing relevance of the deconstructionist perspective, nor the value of its various claims for Shelley; she is simply concerned that the instability of poetic fictions was eventually perceived as a "given" by Shelley, as the beginning premise which he acknowledged and then tried to move beyond. Imageless Truths will be of interest to students and scholars of English literature. |
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... light of life that makes him conscious of the sun's diminution : “ And a cold glare , intenser than the noon / But icy cold , obscured with [ ] light / The Sun as he the stars " ( 77-79 ) . Just when they thought they were ...
... light - illumination — and then more and more light as each one fails , and becomes a shadow . In this world , " life " emits the only unvan- quished light , because it is beyond our penetration . We are now in a position to evaluate ...
... light is a tremendous parody . The dog is absolutely of the quotidian world , and the real Rousseau loses memory because he has had a great collision . In the light of such information , to lose consciousness because of a self ...
Contents
To Spread a Charm Around the Spot | 10 |
The Awful Shadow of Some Unseen Power | 39 |
The Language of the Dead | 71 |
Copyright | |
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