 But although each art has thus its own specific order of impressions, and an untranslatable charm, while a just apprehension of the ultimate differences of the arts is the beginning of aesthetic criticism; yet it is noticeable that, in its special mode...  The Windsor Magazine - Page 3671912Full view - About this book
 | 1877 - 900 pages
...just apprehension of the ultimate differences of the arts is the beginning of aesthetic criticism ; yet it is noticeable that, in its special mode of...of some other art, by what German critics term an Anders- sir eben, a partial alienation from its own limitations, by which the arts are able, not indeed... | |
 | Walter Pater - 1888 - 284 pages
...just apprehension of the ultimate differences of the arts is the beginning of aesthetic criticism ; yet it is noticeable that, in its special mode of...of some other art, by what German critics term an A^iders-strebet}—a partial alienation, from its own limitations, by which the arts are able, not... | |
 | Thomas Bird Mosher - 1898 - 600 pages
...just apprehension of the ultimate differences of the arts is the beginning of aesthetic criticism ; yet it is noticeable that, in its special mode of...of some other art, by what German critics term an Anders-strehen — a partial alienation from its own limitations, by which the arts are able, not indeed... | |
 | Walter Pater - 1900 - 276 pages
...just apprehension of the ultimate differences of the arts is the beginning of aesthetic criticism ; yet it is noticeable that, in its special mode of...of some other art, by what German critics term an Anders-streben — a partial alienation from its own limitations, by which the arts are able, not indeed... | |
 | Walter Pater - 1901 - 360 pages
...just apprehension of the ultimate differ'ences of the arts is the beginning of aesthetic criticism; yet it is noticeable that, in its special mode of...of some other art, by what German critics -term an Andersstreben—a partial alienation from its own limitations, by which the arts are able, not indeed... | |
 | Walter Pater - 1901 - 364 pages
...just apprehension of the ultimate differences of the arts is the beginning of aesthetic criticism; yet it is noticeable that, in its special mode of...of some other art, by what German critics term an Andersstreben — a partial alienation from its own limitations, by which the arts are able, not indeed... | |
 | Sir Edward Tyas Cook - 1918 - 352 pages
...Epilogue to Lessing " tried to see "what painting is, what poetry." Yet it is noticeable, says Mr. Pater, that " in its special mode of handling its given material,...condition of some other art by what German critics term an Andersstreben — a partial alienation from its own limitations, by which the arts are able, not indeed... | |
 | Walter Pater - 1922 - 272 pages
...just apprehension of the ultimate differences of the arts is the beginning of aesthetic criticism ; yet it is noticeable that, in its special mode of...its given material, each art may be observed to pass into_,the condition of some other art, by what German critics termlin Under s-streben — a partial... | |
 | Walter Pater - 1980 - 531 pages
...just apprehension of the ultimate differences of the arts is the beginning of aesthetic criticism; yet it is noticeable that, in its special mode of handling its given material, 5 each art may be observed to pass into the condition of some other art, by what German critics term... | |
 | Walter Pater - 1982 - 304 pages
...just apprehension of the ultimate differences of the arts is the beginning of aesthetic criticism, yet it is noticeable that, in its special mode of...of some other art, by what German critics term an Anders-streben* — a partial alienation from its own limitations, by which the arts are able, not... | |
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