Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 147
... comic art , and what I shall dwell upon is the matter of comic repetition and variation . This last is a bit of technique rare in Shakespeare , and in English comedy generally except Jonson and Fletcher , though abundant in Molière and ...
... comic art , and what I shall dwell upon is the matter of comic repetition and variation . This last is a bit of technique rare in Shakespeare , and in English comedy generally except Jonson and Fletcher , though abundant in Molière and ...
Page 156
... comic and are fully worked out as such . They can be neither separated nor even con- ceived apart . By themselves , the characters would lose their comic quality , for in themselves they have none : in Harpagon the miser or Alceste the ...
... comic and are fully worked out as such . They can be neither separated nor even con- ceived apart . By themselves , the characters would lose their comic quality , for in themselves they have none : in Harpagon the miser or Alceste the ...
Page 180
... comic repetition and rhythm in his work , and , indeed , of a separate and special treatment and technique for ... comic bent in Shakespeare was not the predominant or fundamental one , which indeed would appear from the mere fact that ...
... comic repetition and rhythm in his work , and , indeed , of a separate and special treatment and technique for ... comic bent in Shakespeare was not the predominant or fundamental one , which indeed would appear from the mere fact that ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote