Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
From inside the book
Results 1-3 of 45
Page 148
... repetition , also comic in effect , much com- moner in Shakespeare and rarer in Molière . This has to do mainly with character and with mental processes , whether it be a particular favourite word or phrase to which the person is ...
... repetition , also comic in effect , much com- moner in Shakespeare and rarer in Molière . This has to do mainly with character and with mental processes , whether it be a particular favourite word or phrase to which the person is ...
Page 152
... repetition almost instinctively and perforce . If he fail of his effect at the first attempt he may get it at the second , for the mere repetition suggests not only the comic intent but also a comic quality . Mere repetition of an ...
... repetition almost instinctively and perforce . If he fail of his effect at the first attempt he may get it at the second , for the mere repetition suggests not only the comic intent but also a comic quality . Mere repetition of an ...
Page 311
... repetition I mean , as in chapter iv , not the repetition of words or phrases at happy junctures ( often comically used by Elizabethans like Dekker , as well as by dramatists so different and remote from one another as Plautus , Moli ...
... repetition I mean , as in chapter iv , not the repetition of words or phrases at happy junctures ( often comically used by Elizabethans like Dekker , as well as by dramatists so different and remote from one another as Plautus , Moli ...
Contents
The academic somewhat apologetic attitude of Shake | 3 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
actor Æschylus Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet poetry popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote