Sig. 2x2-4B3 of vol.1 . Lectures, delivered in the Royal academy1831 |
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academy action admirable advantage affords agreeable amongst ancient Apollo Belvedere appear arrangement artists attention bas-reliefs beautiful Berghem body bricks Carrache character chiaro-scuro Cimabue composition conduct consequence Correggio degree Diodorus Diodorus Siculus Discobolus discourse drapery drawing effect Egyptian Elymas employed equally essential Ethiopians excellence execution expression figures Giorgione give grace Grecian Greek happily happy harmonious hues of colour human idea imitation ingenious intaglio judgement kind knowledge Laocoon Last Judgement less light and dark light and shade Madonna manner masses masterly matter mechanical Michael Angelo middle tint mind nature necessary noble objects observed occasion painter particular Paul Veronese peculiar perfection Phidias picture poetry principles produce proper proportion proportionate pursuit qualities racter Raffael relievo Rembrandt respecting Rubens School of Athens sculpture Semiramis sentiment shadow shew spirit style of design sublime taste thing tion Titian true truth variegated variety Venetian school vigour Vinci whilst whole
Popular passages
Page 347 - And they said, Go to, let us build us a city, and a tower, whose top may reach unto heaven ; and let us make us a name, lest we be scattered abroad upon the face of the whole earth.
Page 391 - And therefore it was ever thought to have some participation of divineness, because it doth raise and erect the mind, by submitting the shows of things to the desires of the mind ; whereas reason doth buckle and bow the mind unto the nature of things.
Page 400 - For contemplation he and valour formed, For softness she and sweet attractive grace...
Page 388 - Durer were the more trifler; whereof the one would make a personage by geometrical proportions ; the other, by taking the best parts out of divers faces, to make one excellent. Such personages, I think, would please nobody but the painter that made them. Not but I think a painter may make a better face than ever was; but he must do it by a kind of felicity 4 , (as a musician that maketh an excellent air in music,) and not by rule.
Page 390 - The use of this feigned history hath been to give some shadow of satisfaction to the mind of man in those points wherein the nature of things doth deny it, the world being in proportion inferior to the soul ; by reason whereof there is, agreeable to the spirit of man, a more ample greatness, a more exact goodness, and a more absolute variety, than can be found in the nature of things.
Page 390 - ... because the acts or events of true history have not that magnitude which satisfieth the mind of man, poesy feigneth acts and events greater and more heroical. Because true history propoundeth the successes and issues of actions not so agreeable to the merits of virtue and vice, therefore poesy feigns them more just in retribution, and more according to revealed providence. Because true history representeth actions and events more ordinary and less interchanged, therefore poesy endueth them with...
Page 388 - That is the best part of beauty, which a picture cannot express ; no nor the first sight of life.
Page 390 - So as it appeareth that poesy serveth and conferreth to magnanimity, morality and to delectation. And therefore, it was ever thought to have some participation of divineness...
Page 390 - Therefore, because the acts or events of true history have not that magnitude which satisfieth the mind of man, poesy feigneth acts and events greater and more heroical. Because true history propoundeth the successes and issues of actions not so agreeable to the merits of virtue and vice, therefore poesy feigns them more just in retribution, and more according to revealed providence.
Page 345 - of a very singular structure. They are built of great pieces of earth, made in the fashion of brick, and hardened in the sun. In their dimensions they are two yards long each, and somewhat more than one broad, and half a yard thick.