Shakespeare Studies, Historical and Comparative in Method

actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce father French ghost Hamlet hand Harpagon Henry hero honour human humour hypocrite Iago Iago's imagination irony joke Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello passion person Plautus play poet Poins popular present Prince Professor reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy soul speak speare speech spirit stage story superstition thing thou thought tion to-day tragedy tragic turn usury villain words writing