The miltonic setting: ast and presentCUP Archive, 1949 |
Contents
Milton and Keats | 29 |
Milton and primitive feeling | 43 |
Milton and prophetic poetry | 60 |
Milton and Protestantism | 73 |
Miltons visual imagination | 90 |
A note on Miltons style | 105 |
Milton and the epic | 141 |
205 | |
Common terms and phrases
Arcadia Arthur Arthuriad audience beginning British myth Chatterton Chaucer Christiad classical epic Comus consciousness contemporary Corineus critical death delight dramatic Du Bartas Eliot Elizabethan English English poetry epic poetry Faerie Queene feeling give heaven hero heroic poem Homer Horton human Il Penseroso Iliad imagination imitation instance Keats Keats's kind King L'Allegro language Latin lines literary Lycidas Mansus mean medieval Middle Ages Milton Milton's early Milton's poems Milton's style mind Murry Nativity Ode nature neo-classic night Nightingale notion Paradise Lost Paradise Regained particular passage Passion patriotic pattern Penseroso Petrarch poet poetry political praise primitive Professor Grierson Prolusion prophetic prose Protestant Protestantism quoted reader reference Renaissance Renaissance epic rhythm Samson Agonistes sense sensuous serious seventeenth century Shakespeare speaks speech Spenser stanza suggest theme things thir thou thought tradition Vacation Exercise verse Virgil whole words writing written wrote