St. Mark's Rest: The History of Venice, Written with the Help of the Few Travellers who Still Care for Her Monuments

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G. Allen, 1894 - 267 pages
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Page 135 - To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. 80 And the child grew, and waxed strong in spirit, and was in the deserts till the day of his shewing unto Israel.
Page 140 - And immediately the king sent an executioner, and commanded his head to be brought: and he went and beheaded him in the prison...
Page 115 - As the appearance of the bow that is in the cloud in the day of rain, so was the appearance of the brightness round about. This was the appearance of the likeness of the glory of the Lord.
Page 115 - And above the firmament that was over their heads was the likeness of a throne, as the appearance of a sapphire stone : and upon the likeness of the throne was the likeness as the appearance of a man above upon it.
Page 129 - When Jesus therefore saw his mother, and the disciple standing by, whom he loved, he saith unto his mother, Woman, behold thy son! Then saith he to the disciple, Behold thy mother! And from that hour that disciple took her unto his own home.
Page 142 - Then Herod, when he saw that he was mocked of the wise men, was exceeding wroth, and sent forth, and slew all the children that were in Bethlehem and in all the coasts thereof, from two years old and under, according to the time which he had diligently inquired of the wise men.
Page 114 - And they went every one straight forward : whither the spirit was to go, they went ; and they turned not when they went.
Page 116 - And I will give them one heart, and I will put a new spirit within you ; and I will take the stony heart out of their flesh, and will give them an heart of flesh : that they may walk in my statutes and keep mine ordinances, and do them : and they shall be my people, and I will be their God.
Page 125 - Around this Temple, let the Merchant's law be just, his weights true, and his covenants faithful.
Page 141 - The kings of Tarshish and of the isles shall bring presents : the kings of Sheba and Seba shall offer gifts. Yea, all kings shall fall down before him : all nations shall serve. him.

About the author (1894)

Ruskin was one of the most influential man of letters of the nineteenth century. An only child, Ruskin was born in Surrey. He attended Christ Church, Oxford, from 1839 to 1842. His ties to his parents, especially his mother, were very strong, and she stayed with him at Oxford until 1840, when, showing ominous signs of consumption, he left for a long tour of Switzerland and the Rhineland with both parents. His journeys to France, Germany, and, especially, Italy formed a great portion of his education. Not only did these trips give him firsthand exposure to the art and architecture that would be the focus of much of his long career; they also helped shape what he felt was his main interest, the study of nature. Around this time Ruskin met the landscape artist J. M. W. Turner, for whose work he had developed a deep admiration and whom he lauded in his Modern Painters (1843). In 1848 Ruskin married Euphemia (Effie) Gray, a distant cousin 10 years his junior. This relationship has been the focus of much scholarship, for six years later the marriage was annulled on the grounds of nonconsummation, and in 1855 Effie married John Everett Millais, the Pre-Raphaelite painter and an acquaintance of Ruskin. During the years 1849--52, Ruskin lived in Venice, where he pursued a course of architectural studies, publishing The Seven Lamps of Architecture (1849) and where he began The Stones of Venice (1851--53). It was also during this period that Ruskin's evangelicalism weakened, leading finally to his "unconversion" at Turin in 1858. His subsequent interest in political economy was clearly stated when, echoing his "hero," Carlyle, Ruskin remarked in the last volume of Modern Painters that greed is the deadly principle that guides English life. In a series of essays in Cornhill Magazine attacking the "pseudo-science" of political economists like J. S. Mill, David Ricardo, and Thomas Malthus, Ruskin argues that England should base its "political economy" on a paternalistic, Christian-based doctrine instead of on competition. The essays were not well received, and the series was canceled short of completion, but Ruskin published the collected essays in 1862 as Unto This Last. At the same time, he renewed his attacks on the political economists in Fraser's Magazine, later publishing these essays as Munera Pulveris (1872). From about 1862 until his death, Ruskin unsuccessfully fought depression. He was in love with Rose La Touche, whom he met when she was 11 and he 41. When she turned 18, Ruskin proposed, but the her parents opposed the marriage, and religious differences (she was devout; Ruskin was at this time a freethinker) kept them from ever marrying. La Touche died in 1875, insane, and three years later Ruskin experienced the first of seven attacks of madness that would plague him over the next 10 years. By 1869 Ruskin had accepted the first Slade Professorship of Fine Art at Oxford, begun his serial Fors Clavigera, been sued and found guilty of libel for his attack on Whistler in Fors Clavigera (he was fined a farthing), and resigned his professorship. Ruskin's work was instrumental in the formation of art history as a modern discipline. A capable artist, he complemented his technical understanding of art with insightful analysis and passionately held social ideals. His social writings are of interest today primarily as artifacts of the age, but his art criticism still holds an important place, especially in his appreciation of Turner. There is a vast number of works on Ruskin. From a literary standpoint, John Rosenberg's study, although dated because of many of its assumptions, is still an outstanding book. Jay Fellows's work is interesting and has caused much controversy among Ruskin scholars.

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