Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 93
... Othello . In my monograph on the subject I have endeavoured to show that a process of simplification , both in relation to the source , and in relation to reality as we know it , takes place in that tragedy also , not merely as regards ...
... Othello . In my monograph on the subject I have endeavoured to show that a process of simplification , both in relation to the source , and in relation to reality as we know it , takes place in that tragedy also , not merely as regards ...
Page 94
... Othello , the supreme instance of its effectiveness , it serves the purpose of keeping for the hero the sympathy which an inborn inclination to suspect or hearken to suspicion would somewhat alienate , and of involving him in a closer ...
... Othello , the supreme instance of its effectiveness , it serves the purpose of keeping for the hero the sympathy which an inborn inclination to suspect or hearken to suspicion would somewhat alienate , and of involving him in a closer ...
Page 110
... Othello , is another means of contrast , striking in effect . Othello before he falls into Iago's toils , after he falls , and after ( the worse for it ) he escapes them , is one of the great stage - contrasts of all time . Hamlet , in ...
... Othello , is another means of contrast , striking in effect . Othello before he falls into Iago's toils , after he falls , and after ( the worse for it ) he escapes them , is one of the great stage - contrasts of all time . Hamlet , in ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote