Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
From inside the book
Results 1-3 of 37
Page 422
... Prince whether he is not horribly afeard , and in reply is told that the Prince lacks some of his instinct . When told by the Prince that he had been procured a charge of foot , he cries , ' Well , God be thanked for these rebels , they ...
... Prince whether he is not horribly afeard , and in reply is told that the Prince lacks some of his instinct . When told by the Prince that he had been procured a charge of foot , he cries , ' Well , God be thanked for these rebels , they ...
Page 444
... prince . Thus , before or after him , some of Falstaff's shifts , like his ' monstrous devices ' and his lazzi on ... Prince will be repeated to him ; and , as most English critics say , went to Gadshill only for a lark ; and , as Lloyd ...
... prince . Thus , before or after him , some of Falstaff's shifts , like his ' monstrous devices ' and his lazzi on ... Prince will be repeated to him ; and , as most English critics say , went to Gadshill only for a lark ; and , as Lloyd ...
Page 445
... Prince . Not to dispraise me and call me pantler and bread- chipper and I know not what ? Falstaff . No abuse , Hal . Poins . No abuse ? Falstaff . No abuse , Ned , i ' the world ; honest Ned , none . I dispraised him before the wicked ...
... Prince . Not to dispraise me and call me pantler and bread- chipper and I know not what ? Falstaff . No abuse , Hal . Poins . No abuse ? Falstaff . No abuse , Ned , i ' the world ; honest Ned , none . I dispraised him before the wicked ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote