Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 390
... Renaissance in general indicates so clearly the indifference of the dramatist . to what we call psychology as this - characters feigning virtue , madness , melancholy , love , even villainy , almost throughout the play . It , together ...
... Renaissance in general indicates so clearly the indifference of the dramatist . to what we call psychology as this - characters feigning virtue , madness , melancholy , love , even villainy , almost throughout the play . It , together ...
Page 398
... Renaissance , which laboured under no such weight of public opinion as does ours . That , according to Professor Schücking , is as much as to say the Babylonian five - legged lions were owing to the fact that in those days there were ...
... Renaissance , which laboured under no such weight of public opinion as does ours . That , according to Professor Schücking , is as much as to say the Babylonian five - legged lions were owing to the fact that in those days there were ...
Page 473
... Renaissance even to our own , if we fancy that in England or in Italy : 121 then there were many who 120 See an article on the conception of honour in Lope and Calderón , by A. Castro , Revista Española , 1916. Cf. Burckhart , Renaissance ...
... Renaissance even to our own , if we fancy that in England or in Italy : 121 then there were many who 120 See an article on the conception of honour in Lope and Calderón , by A. Castro , Revista Española , 1916. Cf. Burckhart , Renaissance ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote