Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
From inside the book
Results 1-3 of 45
Page 100
... conscience ( however little it may be his by nature ) , not a hypocrite . Even so subtle and psychologically inclined an intellect as Coleridge's did not go astray . For then the poetic tradition of the external conscience was not yet ...
... conscience ( however little it may be his by nature ) , not a hypocrite . Even so subtle and psychologically inclined an intellect as Coleridge's did not go astray . For then the poetic tradition of the external conscience was not yet ...
Page 355
... conscience is given a demonic , not a psycho- logically conceivable character . And without the madness , there is the same unpsychological conscience even in more modern work . Racine's Phèdre has seemed to Chateau- briand ' la ...
... conscience is given a demonic , not a psycho- logically conceivable character . And without the madness , there is the same unpsychological conscience even in more modern work . Racine's Phèdre has seemed to Chateau- briand ' la ...
Page 385
... conscience , and revels in his villainy and the help he has from ' all the tribe of hell . ' Far from being a discomfort , hypocrisy is part of Iago's program and pro- fession , sweeter to him than honey and the honeycomb . The conscience ...
... conscience , and revels in his villainy and the help he has from ' all the tribe of hell . ' Far from being a discomfort , hypocrisy is part of Iago's program and pro- fession , sweeter to him than honey and the honeycomb . The conscience ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
8 other sections not shown
Other editions - View all
Common terms and phrases
actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote