Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 103
... present it . How much better to recognize in the poet's work traces of a primi- tive technique than to find in his character or imaginative sympathy defects such as these ! And there is that further application of the Elizabethan self ...
... present it . How much better to recognize in the poet's work traces of a primi- tive technique than to find in his character or imaginative sympathy defects such as these ! And there is that further application of the Elizabethan self ...
Page 225
... present - day prepossessions and philosophizings that have dissolved that famous apparition into an ' embodiment from its own words , the stage direction , 79 and Brutus's subse- quent remark to Volumnius it purports to be ; and it is ...
... present - day prepossessions and philosophizings that have dissolved that famous apparition into an ' embodiment from its own words , the stage direction , 79 and Brutus's subse- quent remark to Volumnius it purports to be ; and it is ...
Page 447
... present of it . ' Piccolomini's Malagigi , threatened by Ruzza sword in hand , declares solemnly that they shall meet again ; and attributes his subsequent flight merely to a desire not to raise a row in the town . Wycherley's Monsieur ...
... present of it . ' Piccolomini's Malagigi , threatened by Ruzza sword in hand , declares solemnly that they shall meet again ; and attributes his subsequent flight merely to a desire not to raise a row in the town . Wycherley's Monsieur ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote