Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 31
... stage and in the audience , studying and imitating only his contemporaries , receiving and consum- mating a vital ... stage , of the means of communication established by a cur- rent convention , or understanding between author and audi ...
... stage and in the audience , studying and imitating only his contemporaries , receiving and consum- mating a vital ... stage , of the means of communication established by a cur- rent convention , or understanding between author and audi ...
Page 53
... Stage ( 1698 ) , had to do , was appeal to the old faith - their faith still - and Congreve and Vanbrugh were routed , and the stage purged . Believ- ing as England did , as she believed before the Restoration , during it , and ever ...
... Stage ( 1698 ) , had to do , was appeal to the old faith - their faith still - and Congreve and Vanbrugh were routed , and the stage purged . Believ- ing as England did , as she believed before the Restoration , during it , and ever ...
Page 417
Elmer Edgar Stoll. suddenness of the assault ; but on the Elizabethan comic stage , or any popular stage , where of course there are no relentings towards cowardice ( there being none even towards things beyond our doing or undoing , as ...
Elmer Edgar Stoll. suddenness of the assault ; but on the Elizabethan comic stage , or any popular stage , where of course there are no relentings towards cowardice ( there being none even towards things beyond our doing or undoing , as ...
Contents
CHAPTER | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
CHAPTER II | 36 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare spirit stage story Stratford superstition thing thou thought tion to-day tragedy tragic turn usury verse villain words writing wrote