The First Modern Comedies: The Significance of Etherege, Wycherley, and Congreve, Volume 10

action actor affectation appearance and nature audience becomes called changes characters comes comic Congreve Congreve's contrast course creates critics deal describes desires disguise Dorimant drama Elizabethan emotional English Etherege example Face fact final fools forced Freeman give hero heroic Horner idea ideal important inner intrigue John keep kind knowledge Lady language least less London look lovers Manly manners marriage marry means metaphor mind Mirabell moral never Oxford passion play plot pretense Professor reality reason references relation represent Restoration comedy says scene sense separation seventeenth century shows simply situation social society speak speech stage suggests tells theme things thought tion town true turn University Press Valentine vols whole Wife woman women writers wrong wrote Wycherley young