 | Samuel Taylor Coleridge - 1847 - 282 pages
...vital, even as all objects (as _objects) are essentially fixed and dead.15 FANCY, on the contrary, has no other counters to play with, but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and space ; while... | |
 | Samuel Taylor Coleridge - 1853 - 760 pages
...essentially vital, even as all objects (as objects) are essentially fixed and dead.f FANCY, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and space ; while... | |
 | Samuel Taylor Coleridge - 1864 - 770 pages
...essentially vital, even as all objects (as objects) are essen tially fixed and dead.f FANCY, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and space ; while... | |
 | Samuel Taylor Coleridge - 1864 - 772 pages
...essentially vital, even as all objects (as objects) are essen tially fixcd and dead.f FANCY, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and space ; while... | |
 | Samuel Taylor Coleridge - 1891 - 484 pages
...essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with, but fixities and definites. The Fancy is indeed no other than a mode of memory emancipated from the order of time and space; and blended... | |
 | Leigh Hunt - 1893 - 120 pages
...vital, even as all objects (as objects) are essentially fixed and dead. 15 Fancy, on the contrary, has no other counters to play with but fixities and definites. The Fancy is indeed no other than a mode of memory * emancipated from the order of time and space ; and... | |
 | Hammond Lamont - 1894 - 220 pages
...essentially vital, even as all objects (as objects) are essentially fixed and dead. " FANCY, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and space ; while... | |
 | Samuel Taylor Coleridge - 1895 - 272 pages
...fixed and dead. P. 45,1. 2. t. CtfBkya^^i, Prefaces, p. 45,1. 25 ,•/ seq. " Fancy, on the contrary, has no other counters to play with, but fixities and definites. The Fancy is indeed no other than a mode of memory emancipated from the order of time and space; and blended... | |
 | Jeremiah Wesley Bray - 1898 - 360 pages
...now she takes him by the hand, A lily prisoned in a pail of snow. 1810. COLERIDGE, IV., p. 48. Fancy has no other counters to play with but fixities and definites. The fancy is indeed no ot.her than a mode of memory emancipated from the order of time and space, . . .... | |
 | Raymond Macdonald Alden - 1909 - 404 pages
...essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and space." The further... | |
| |
Fancy, on the contrary, has no other counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and space... 
