Shakespeare Criticism, 1935-1960: Selected with an Introduction

action already appears asked audience becomes beginning bring called character Comedy comes course critics death drama Duke effect Elizabethan evil example expression eyes fact Falstaff father feel final follows force give given Hamlet hand heart Henry hero human imagery imagination interest Isabel John justice kind King King Lear Lady later Lear less lines live Lord Macbeth meaning Measure merely MICHIGAN mind moral murder nature never once Othello passage pattern perhaps play plot poet poetry possible present Prince question reason Richard scene seems sense Shake Shakespeare significance song speak speech stage stand story suffering suggest symbols Tale Tempest thee theme things thou thought tion tragedy tragic true truth turn universal whole