François Duquesnoy and the Greek IdealYale University Press, 2007 M01 1 - 240 pages This title is devoted to Francois Duquesnoy, a central figure in 17th century European sculpture, a rival to Bernini and a leading light in an artistic milieu that included Poussin and Rubens. Lingo reconstructs Duquesnoy's pursuit in Rome of a modern artistic practice 'in the Greek manner'." |
Contents
Two The Tomb and the Portrait | 65 |
The Greek Style and the Cult Statue | 113 |
Four Reflections on Greek Art and the Greek Manner before Winckelmann | 161 |
Notes | 182 |
| 217 | |
| 233 | |
Common terms and phrases
Allacci ancient sculpture ancient statues Andrew antiquarian antique Apollo artists Bacchus Barberini Barclay beautiful Bellori Belvedere Bernini Biscia body Boselli Boudon-Machuel bronze bust Cardinal Cassiano dal Pozzo century chapel chapter Colantuono commission confraternity contour Corinthian bronze Créqui Cropper and Dempsey draped drapery Duquesnoy's Duquesnoy's circle Duquesnoy's sculpture epitaph essay Eynden Farnese figure Filomarino Flemish Florence Francesco François Duquesnoy Galleria Giustiniani Gianlorenzo Bernini Giovanni Greek Anthology Greek art Greek ideal Greek manner Greek style Haskell and Penny Hercules History Ibid imitation infant putto inscription Joachim von Sandrart Johann Joachim Winckelmann Laocoön Lavin Lombard Love marble Maria dell'Anima Maria di Loreto Mercury Michelangelo modern monument Nicolas Poussin nude painter painting Palazzo Passeri patron Peter's Pietro Pietro da Cortona Pliny Pliny's portrait Poussin putti putto relief restoration Roma Rome Sandrart sculp sculpture seventeenth seventeenth-century Susanna Teutsche Academie tion torso Vasari Venus Vincenzo Giustiniani visual Vitelleschi Winckelmann