Western Plainchant: A HandbookClarendon Press, 1995 - 661 pages Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come. |
Contents
Analytical Table | xx |
Note on Music Examples | xxx |
Plainchant in the Liturgy | 1 |
Chant Genres | 46 |
LITURGICAL BOOKS AND PLAINCHANT SOURCES | 287 |
NOTATION | 340 |
Frontispiece ii | 405 |
London British Library Harley 110 | 412 |
Edinburgh University Library 33 | 438 |
Plainchant and Early Music Theory | 442 |
Plainchant up to the Eighth Century | 478 |
The Carolingian Century | 514 |
Gregorian Chant and Other Chant Repertories | 524 |
Persons and Places | 563 |
REFORMATIONS OF GREGORIAN CHANT | 608 |
The Restoration of Medieval Chant | 622 |
Oxford Bodleian Library Canonici liturg 350 | 419 |
London British Library Add 10335 | 426 |
London British Library Add 17302 | 432 |
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Common terms and phrases
Ages alleluia antiphons appears beginning Bibl Bibliothèque cadence called century ceremony chant Christe church collection common communion composed composition contain copied discussed Domine earliest early Easter edited eighth eleventh example final followed four given gives Gloria gradual Gregorian Huglo hymns important indicate introit Italian Italy known Kyrie late later Latin Lauds least lessons Library liturgical manuscript mass material medieval melismas melodies Middle mode Night ninth century notation notes offertory Old Roman original PalMus Paris particular performance phrase pieces possible practice prayers prosulas psalm recitation reciting note reference repeated repertory respond responsories rhymed Roman Rome saints Sanctus seems sequence short signs similar singing sometimes songs sources St Gall Stäblein Sunday sung syllables tones tradition trope usually verses written