Confessional Subjects: Revelations of Gender and Power in Victorian Literature and CultureSusan Bernstein examines the gendered power relationships embedded in confessional literature of the Victorian period. Exploring this dynamic in Charlotte Bronta's Villette, Mary Elizabeth Braddon's Lady Audley's Secret, George Eliot's Da |
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Contents
theorizing Confession Gendering Confession | 15 |
Histories and Fictions of Victorian Confession AntiCatholic Rhetoric and Villette | 41 |
That Narrow Boundry Line Figures of Female Degeneracy and Lady Audleys Secret | 73 |
The Bonds and Bondage of Gender and Race Paternal Metaphors of Confession in Daniel Deronda | 105 |
The UnIntact State Tess of the dUrbervilles and Confessions of Sexual and Textual Violence | 143 |
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Common terms and phrases
anti-Catholic appears Audley authority body BONDAGE BONDS Catholic Catholicism chapter character church condition confession confessional confessional subjects confessor consequences construction critical cultural Daniel Deronda dead desire disclosure discourse domestic domination edited effect Eliot England English face father female femininity fession FICTIONS figure force Foucault Freud gender Gwendolen's Hardy Hardy's husband idea identity inherited insanity institution interest Jewish Lady Audley's Lady Audley's Secret Leonora LINE London Lucy madness male marriage masculine material Mayhew meaning moral mother murder narrative nature NOTES notion novel offers passage paternal metaphor patriarchal political position Press priest privilege prostitution Protestant question RACE rape reading relations religious representations representing resistance rhetorical Rome scene seems sensation sense sexual signifies social speaking story structure suggests tell Tess Tess's testimony textual theory tion transgression truth University Victorian violation violence witnessing woman women writing York