The Establishment of Modern English Prose in the Reformation and the EnlightenmentIan Robinson traces the legacy of of prose writing as a form theorised and propagated as an art distinct from verse. Engaging with histories of rhetoric as well as the work of the great prose writers in English, Robinson provides a bold reappraisal of this literary form, and shows that the formal construct of the sentence itself is historically conditioned and no older than the post-medieval world. The relationship between rhetorical style and literary meaning, Robinson argues, is at the heart of the way we understand the external world. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Sentence and period | 1 |
i | 27 |
ii | 46 |
Prose rhythm | 55 |
Cranmers commonwealth | 71 |
Shakespeare vs the wanderers | 105 |
Drydens democracy | 141 |
The prose world | 153 |
Appendices | 166 |
Medieval punctuation theory | 185 |
Cranmer and the cursus | 200 |
209 | |
Common terms and phrases
Aristotle beginning Bible Book called Cambridge century clauses Collects comes comma common complete construction course Cranmer cursus discussion Dryden edition Effect English English prose example expression give grammar Greek History ideas indicate instance Italy kind King language later Latin less letter Library linguistic logical look Lord manuscript mark matter means medieval Middle mind modern natural never noun oratio ordinary original passage pause period phrase planus possible practice Prayer Prayer Book printed prose punctuation question quoted reason rhetorical rhythm rhythmic seems sense sentence Shakespeare sometimes sound speak speech stress structure style syllable syntactic syntax things Thomas thought tradition translation true turn Tyndale understanding unit University verb verse well-formed sentence whole word writing written