This Is the Beat Generation: New York San Francisco Paris

Front Cover
University of California Press, 2001 M11 19 - 320 pages
Beginning in New York in 1944, James Campbell finds the leading members of what was to become the Beat Generation in the shadows of madness and criminality. Jack Kerouac, Allen Ginsberg, and William Burroughs had each seen the insides of a mental hospital and a prison by the age of thirty. A few months after they met, another member of their circle committed a murder that involved Kerouac and Burroughs as material witnesses.

This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. From "The First Cut-Up"--the murder in New York in 1944--we end up in Paris in 1960 with William Burroughs at the Beat Hotel, experimenting with the technique that made him notorious, what Campbell calls "The Final Cut-Up."

In between, we move to San Francisco, where Ginsberg gave the first public reading of Howl. We discover Burroughs in Mexico City and Tangiers; the French background to the Beats; the Buddhist influence on Kerouac, Gary Snyder, and others; the "Muses" Herbert Huncke and Neal Cassady; the tortuous history of On the Road; and the black ancestry of the white hipster.
 

Contents

The first cutups
11
Behind the beat Hipikats
36
Behind the beat Naked Neal
65
Behind the beat Neurotica
93
Behind the beat The scroll
134
Behind the beat Broyard
147
Behind the beat City Lights
184
Youre a Genius all the time
187
Behind the beat As good as Proust
211
The birth of the beatnik
245
Behind the beat as he leaps Updike swing
272
Notes
286
Index
310
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About the author (2001)

James Campbell is the author of Exiled in Paris: Richard Wright, James Baldwin, Samuel Beckett and Others on the Left Bank(1995), Talking at the Gates: A Life of James Baldwin (1991), and Invisible Country: A Journey through Scotland (1984). He works for the Times Literary Supplement.

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