The First Modern Comedies: The Significance of Etherege, Wycherley, and Congreve

action actor affectation appearance appearance and nature audience becomes called changes CHAPTER characters comic complete Congreve Congreve's contrast course creates critics deal describes desires disguise Dorimant drama Elizabethan emotional English Essays Etherege example Face fact final fools forced Freeman give hero heroic Horner idea ideal important inner John kind knowledge Lady language less London look lovers Manly manners marriage marry means metaphor mind Mirabell moral nature never Oxford passion play plot pretense Professor reality reason references relation represent Restoration comedy says scene sense separation seventeenth century shows simply social society stage suggests theater theme things thought tion town true turn University Press Valentine values vols whole Wife woman women writers wrong wrote Wycherley York young