The Stage Am I?: Raping Lucrece in Early Modern England

appears argued association become blood Cambridge characters chastity Chicago Collatine's construct contemporary convey corpse critics cultural death desire discourse display Drama early modern economies effect Elizabethan England English example expressed eyes fact female body feminine figure force further gender given gives hand honour husband interpretation keep kill Lady language lines live London looking Lucrece Lucrece's Lucretia male masculine material means misogyny monument natural needs notes object Oxford painting particular patriarchal play poem political position present quote rape references relation relationship Renaissance representation rhetorical role scene seen sense sexual Shakespeare sight social space speak stage story suggests suicide symbolic Tarquin thee thou tomb Tragedy trans Troy University Press violence virginity voice wife wishes woman women writing York