Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
From inside the book
Results 1-3 of 42
Page 384
... Iago's directness in moral matters , his ' motive- hunting , ' his failure to live up to the motives he finds , and that peculiar Elizabethan or Renaissance dramatic trait of playing a part ( an honest man in Iago's case - the mad- man ...
... Iago's directness in moral matters , his ' motive- hunting , ' his failure to live up to the motives he finds , and that peculiar Elizabethan or Renaissance dramatic trait of playing a part ( an honest man in Iago's case - the mad- man ...
Page 386
... Iago gloats over the fair veil of honesty his villainy is wearing , and in the words , ' Divinity of Hell ! when Devils will the blackest sins put on they do suggest with heavenly shows , ' he tosses it aside with a jeer . Possibly the ...
... Iago gloats over the fair veil of honesty his villainy is wearing , and in the words , ' Divinity of Hell ! when Devils will the blackest sins put on they do suggest with heavenly shows , ' he tosses it aside with a jeer . Possibly the ...
Page 391
... Iago's honest and friendly manner natural to him , calls him a prince of good fellows , the most popular young man ... Iago , like Cowper , would not have trod upon a worm , had it kept out of his way and been no barrier to his success ...
... Iago's honest and friendly manner natural to him , calls him a prince of good fellows , the most popular young man ... Iago , like Cowper , would not have trod upon a worm , had it kept out of his way and been no barrier to his success ...
Contents
ON THE ANNIVERSARY OF THE FOLIO | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
THE CHARACTERIZATION 90 00 | 16 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown Comedy of Manners comic Congreve conscience contrast coward Creizenach cries Criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour hypocrite Iago imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Measure for Measure Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Palmer passion person Plautus play poet present Prince Professor Schücking psychological Racine reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare speech spirit stage story thing thought tion to-day tragedy tragic turn verse villain words writing