Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 206
... doubt are the natural means . This seems to me a thoroughly adequate explanation for Macbeth's conduct at this juncture ; as well as for that of Brutus and Posthumus in a similar situation , not to men- tion Hastings , Cæsar , Antigonus ...
... doubt are the natural means . This seems to me a thoroughly adequate explanation for Macbeth's conduct at this juncture ; as well as for that of Brutus and Posthumus in a similar situation , not to men- tion Hastings , Cæsar , Antigonus ...
Page 208
... doubts in the end . Charle- mont is the most obvious case- O , pardon me , my doubtful heart was slow To credit that ... doubt or questioning then . The same method has been employed by Shakespeare and other dramatists , whether before ...
... doubts in the end . Charle- mont is the most obvious case- O , pardon me , my doubtful heart was slow To credit that ... doubt or questioning then . The same method has been employed by Shakespeare and other dramatists , whether before ...
Page 232
... doubt , have served for a lesson to Maeterlinck . And this vague and brooding treatment of the supernatural , in Shakespeare's later work , is in keeping with the dimmer outline of which we have taken notice in his later imaginations in ...
... doubt , have served for a lesson to Maeterlinck . And this vague and brooding treatment of the supernatural , in Shakespeare's later work , is in keeping with the dimmer outline of which we have taken notice in his later imaginations in ...
Contents
ON THE ANNIVERSARY OF THE FOLIO | 1 |
the device in Terence and Plautus 9 In sixteenth | 12 |
THE CHARACTERIZATION 90 00 | 16 |
Copyright | |
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actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown Comedy of Manners comic Congreve conscience contrast coward Creizenach cries Criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour hypocrite Iago imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Measure for Measure Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Palmer passion person Plautus play poet present Prince Professor Schücking psychological Racine reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare speech spirit stage story thing thought tion to-day tragedy tragic turn verse villain words writing