Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885Stanford University Press, 1995 - 303 pages This pathbreaking work analyzes melodrama as not merely a theatrical genre but as a behavioral paradigm of the nineteenth century, manifest in the theater, in literature, and in society. It shows how the melodramatic mode reaffirmed the familial, hierarchical, and public grounds for ethical behavior and identity that characterized models of social exchange and organization. |
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Melodramatic Tactics: Theatricalized Dissent in the English Marketplace ... Elaine Hadley No preview available - 1997 |
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according actors acts alienation appeared argues aristocratic associated audience authority become behavior body boxes called century changes character classification considered constituted contemporary continued Covent Garden critics culture debate deferential describes desire Diana Dickens difference discussion distinctive domestic drama early economic effects England English especially exchange existence expression fact faction feeling figure historical husband identity individual instance labor Letter literary living London marriage means melo melodramatic mode Meredith moral narrative nature nineteenth century Norton notes novel once operation patriarchal paupers performance perhaps physical play political Poor Law possession Price principle production proprietors radical ranks reading reform relation relationship relief representation represented resistance response result rhetoric role romantic scene seemed seen social society speculation sphere stage status theater theatrical traditional Victorian virtue voice wife woman women workhouse