Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 38
... hands before the fire of life . It and not art was his refuge and shrine . His facility when he did take pen in hand was the one trait fully appreciated in his day . ' His mind and his hand went together , ' say Heminge and Condell ...
... hands before the fire of life . It and not art was his refuge and shrine . His facility when he did take pen in hand was the one trait fully appreciated in his day . ' His mind and his hand went together , ' say Heminge and Condell ...
Page 84
... hand in hand . But they were not one and the same — he was more than himself and his expe- rience added together , in his plays . His look was outward , however much went on within . In his dramas he was not a lyric poet or diarist - he ...
... hand in hand . But they were not one and the same — he was more than himself and his expe- rience added together , in his plays . His look was outward , however much went on within . In his dramas he was not a lyric poet or diarist - he ...
Page 306
... hand , comedy skirts the confines of tragedy , on the other hand , it respects the boundary line and does not go philandering over the border . Behind a comedy is a tragedy , but that is not the comedy ; behind a joke there is something ...
... hand , comedy skirts the confines of tragedy , on the other hand , it respects the boundary line and does not go philandering over the border . Behind a comedy is a tragedy , but that is not the comedy ; behind a joke there is something ...
Contents
The Arabic figures within parentheses refer to the sections | 1 |
THE CHARACTERIZATION 90 00 | 16 |
THE GHOSTS | 27 |
Copyright | |
12 other sections not shown
Common terms and phrases
actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour hypocrite Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince Professor reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare speech spirit stage story superstition thing thou thought tion to-day tragedy tragic turn usury villain words writing