Shakespeare Studies, Historical and Comparative in MethodUngar, 1960 - 502 pages A collection and study of Shakespeare's works. |
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Page 90
... method of it may appear . In the greatest art means and methods are generally simple ; the mystery and marvel lie in their application - the right touch , at the right time and place ; and often we can , in a sense , see how a thing was ...
... method of it may appear . In the greatest art means and methods are generally simple ; the mystery and marvel lie in their application - the right touch , at the right time and place ; and often we can , in a sense , see how a thing was ...
Page 95
... methods ( for since we are the heirs of the ages , there are more now than then ) and under all the influence of the new psychology , with its self - deceptions and masked movements , brainstorms and ' swoons of the mind , ' the method ...
... methods ( for since we are the heirs of the ages , there are more now than then ) and under all the influence of the new psychology , with its self - deceptions and masked movements , brainstorms and ' swoons of the mind , ' the method ...
Page 132
... method - it must needs be by a different technique . No one thinks Hamlet a hypocrite , but since there are no other parallels ( save the sentimental Richard whom we consider below ) the hypocrites must in so far as they are self ...
... method - it must needs be by a different technique . No one thinks Hamlet a hypocrite , but since there are no other parallels ( save the sentimental Richard whom we consider below ) the hypocrites must in so far as they are self ...
Contents
The Arabic figures within parentheses refer to the sections | 1 |
THE CHARACTERIZATION 90 00 | 16 |
THE GHOSTS | 27 |
Copyright | |
12 other sections not shown
Common terms and phrases
actor Antony appears artist audience Banquo Bessus Bradley Brutus Cæsar century chapter character Cleopatra clown comedy Comedy of Manners comic conscience contrast coward cowardice Creizenach cries criminals critics death delight devil doubt dramatist effect Elizabethan drama English fact Falstaff farce French ghost Hamlet hand heart Henry hero honour human humour hypocrite Iago Iago's imagination irony Jonson Julius Cæsar King King Lear Lady Macbeth laugh Lear less literature matter means Merchant of Venice mind modern Molière moral Morgann motives murder nature Othello Panurge passion person Plautus play poet popular present Prince Professor reality Renaissance repetition revenge Richard Richard III romantic says scene seems seen sense sentiment Shake Shakespeare Shylock Sir Walter Raleigh situation soliloquy sonnets soul speak speare speech spirit stage story superstition thing thou thought tion to-day tragedy tragic turn usury villain words writing