Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS Français 146Margaret Bent, Andrew Wathey Clarendon Press, 1998 - 666 pages The manuscript Paris, Bibliothe'que Nationale, fonds francais 146, one of the most sumptuous and important of the fourteenth century, stands as an unparalleled witness to the politics, society, and culture of the French royal court in the early fourteenth century. It contains an interpolated version of the Roman de Fauvel, completed by Gerve's de Bus in 1314, that uniquely combines the Old French text with music setting poetry in French and Latin, high-quality illuminations (including early depictions of the architecture of medieval Paris), and further literary elaborations and additions. The narrative finds a place within several literary traditions, serving both as a satire on a fallen minister, Philip IV (d. 1314), Enguerran de Marigny, and as admonition or advice for the new King Philip V (crowned 1317). Alongside the Roman de Fauvel, fr. 146 also includes French and Latin narrative dits (the latter edited here for the first time), the complete known works of Jehannot de Lescurel, and an important French verse chronicle. It invites complementary works by such shoalrs in several disciplines. This volume assembles papers by leading medievalists and younger scholars in different fields that reflect a period of interchange and collaboration viewing the same material from different perspectives. It is generously illustrated and includes essential new reference material for medievalists in political, social, and urban history, art and architecture history, musicology, the history of the book and codicology, and medieval languages and literatures, principally Old French and Latin. This interdisciplinary collection presents a wealth of new material for medievalists working in a number of fields. |
Contents
For examples in Chs 5 and 19 see Index of Compositions | 1 |
Contents of fr 146 | 5 |
Feasts of Good | 20 |
Jehannot de Lescurel and the Function of Musical Language | 25 |
Plates the plates appear between pp 332 and 333 | 30 |
Which Came First? | 35 |
Fr 146 fo 36 | 36 |
Figures | 42 |
Le Contexte folklorique et musical du charivari dans le Roman de Fauvel | 277 |
222 | 280 |
Satire Pictorial Genre and the Illustrations in BN fr 146 | 285 |
La Chancellerie royale à la fin du règne de Philippe IV le Bel | 307 |
Jehannot de Lescurels Chansons Geffroy de Pariss Dits and the Process | 321 |
223 | 327 |
les enjeux dun changement | 337 |
The Background to the Ballades | 353 |
23 | 45 |
Rex ioians ionnes iolis Louis X Philip V and the Livres de Fauvel | 53 |
Authorial SelfRepresentation and Literary Models in the Roman de Fauvel | 73 |
The Refrain and the Transformation of Genre in the Roman de Fauvel | 105 |
Hybridity Monstrosity and Bestiality in the Roman de Fauvel | 161 |
The Flowering of Charnalité and the Marriage of Fauvel | 175 |
The Profile of Philip V in the Music of Fauvel | 215 |
The Metrical Chronicle Traditionally Ascribed to Geffroy de Paris | 233 |
An Editio Princeps | 247 |
177 | 249 |
221 | 266 |
Cosmic Quaternities in the Roman de Fauvel | 395 |
Local Chant Readings and the Roman de Fauvel | 495 |
Jehannot de Lescurel | 525 |
Manuscript Text Image | 569 |
Content and Context of the Fauvel Manuscript | 591 |
Gervès du Bus the Roman de Fauvel and the Politics of the Later | 599 |
Mundus | 615 |
Select Bibliography for fr 146 | 637 |
Index of Manuscripts | 643 |
General Index | 651 |
Copyright | |