Coleridge in ItalyCork University Press, 1996 - 256 pages It is to the scholar Edoardo Zuccato's merit to draw thorough notice to Coleridge's Italian interests.George Steiner, The Observer |
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Page 59
... argued that Shakespeare's sonnets are more akin to Petrarchism and his poems to Italian Baroque poetry , though Petrarchist conceits are more evident in early plays like Romeo and Juliet , and Petrarchist conventions are not rare in the ...
... argued that Shakespeare's sonnets are more akin to Petrarchism and his poems to Italian Baroque poetry , though Petrarchist conceits are more evident in early plays like Romeo and Juliet , and Petrarchist conventions are not rare in the ...
Page 94
... argued that Dante could not be a Thomist . His philosophical view was a personal combination of mystical and rationalist , of Platonizing and Aristotelian Scholasticism.30 Coleridge , who had a good knowledge of Scholasticism , intuited ...
... argued that Dante could not be a Thomist . His philosophical view was a personal combination of mystical and rationalist , of Platonizing and Aristotelian Scholasticism.30 Coleridge , who had a good knowledge of Scholasticism , intuited ...
Page 195
... argued that Shakespeare's picturesqueness was only equalled by Dante and Milton ; another report gives ' Pindar ' instead of Milton , which seems more probable considering the passage quoted below , and that he regarded Milton as a ...
... argued that Shakespeare's picturesqueness was only equalled by Dante and Milton ; another report gives ' Pindar ' instead of Milton , which seems more probable considering the passage quoted below , and that he regarded Milton as a ...
Contents
Introduction | 1 |
Coleridge and Italian Lyric Poetry | 16 |
The Fine Arts | 63 |
Copyright | |
6 other sections not shown
Common terms and phrases
admired allegory argued Ariosto aspects August Wilhelm Schlegel Biographia BL CC Boccaccio Byron Cary Cary's century Chiabrera Christian Classical CM CC CN II Coffman Coleridge thought Coleridge's Coleridge's attitude Coleridge's interest contemporary Cormorant criticism Dante Dante's Divine Comedy early edition eighteenth-century England English example Ficino frescoes Friend CC German Giordano Bruno Greek ibid idea imitation Italian culture Italian language Italian literature Italian poetry Italian Renaissance Italy language Latin Lects CC lectures lines literary literature London lyric poetry madrigals Malta Marino medieval Metastasio metre metrics Michelangelo Milton modern Neoplatonic opera original painters painting passage Petrarch Petrarchan philosophy Platonism poems poetic poets points political Princeton N. J. principles prose PW CC PW EHC quoted Raphael referred Schlegel Shakespeare Shelley Shelley's Sismondi sonnet Soother of Absence Southey style Tasso taste theory tradition transcribed translation TT CC Vico Vico's whereas Wordsworth wrote
References to this book
George Eliot and Italy: Literary, Cultural, and Political Influences from ... Andrew Thompson No preview available - 1998 |