Coleridge in ItalyCork University Press, 1996 - 256 pages It is to the scholar Edoardo Zuccato's merit to draw thorough notice to Coleridge's Italian interests.George Steiner, The Observer |
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Page 65
... frescoes in the Camposanto at Pisa , which he visited in June 1806 ( CN II 2857 and 2858 ) . Though the frescoes were not for him the revelation of a vocation , as they came to be for Ruskin , they were an unforgettable experience . The ...
... frescoes in the Camposanto at Pisa , which he visited in June 1806 ( CN II 2857 and 2858 ) . Though the frescoes were not for him the revelation of a vocation , as they came to be for Ruskin , they were an unforgettable experience . The ...
Page 66
... fresco which only consisted of a set of proportional relations . He seems to have regarded it almost as a ... frescoes struck numerous English travellers in the eighteenth century , and admirers multiplied in Coleridge's time ...
... fresco which only consisted of a set of proportional relations . He seems to have regarded it almost as a ... frescoes struck numerous English travellers in the eighteenth century , and admirers multiplied in Coleridge's time ...
Page 181
... frescoes in the development of Italian painting was even overrated ; Ottley was the first who clearly realized that they were not so important as the frescoes at Assisi ( Previtali , ibid . , p . 183 ) . On Beckford , see Marshall 168–9 ...
... frescoes in the development of Italian painting was even overrated ; Ottley was the first who clearly realized that they were not so important as the frescoes at Assisi ( Previtali , ibid . , p . 183 ) . On Beckford , see Marshall 168–9 ...
Contents
Introduction | 1 |
Coleridge and Italian Lyric Poetry | 16 |
The Fine Arts | 63 |
Copyright | |
6 other sections not shown
Common terms and phrases
admired allegory argued Ariosto aspects August Wilhelm Schlegel Biographia BL CC Boccaccio Byron Cary Cary's century Chiabrera Christian Classical CM CC CN II Coffman Coleridge thought Coleridge's Coleridge's attitude Coleridge's interest contemporary Cormorant criticism Dante Dante's Divine Comedy early edition eighteenth-century England English example Ficino frescoes Friend CC German Giordano Bruno Greek ibid idea imitation Italian culture Italian language Italian literature Italian poetry Italian Renaissance Italy language Latin Lects CC lectures lines literary literature London lyric poetry madrigals Malta Marino medieval Metastasio metre metrics Michelangelo Milton modern Neoplatonic opera original painters painting passage Petrarch Petrarchan philosophy Platonism poems poetic poets points political Princeton N. J. principles prose PW CC PW EHC quoted Raphael referred Schlegel Shakespeare Shelley Shelley's Sismondi sonnet Soother of Absence Southey style Tasso taste theory tradition transcribed translation TT CC Vico Vico's whereas Wordsworth wrote
References to this book
George Eliot and Italy: Literary, Cultural, and Political Influences from ... Andrew Thompson No preview available - 1998 |