Coleridge in ItalyCork University Press, 1996 - 256 pages It is to the scholar Edoardo Zuccato's merit to draw thorough notice to Coleridge's Italian interests.George Steiner, The Observer |
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Page 40
... imitation , which , being cardinal in his aesthetics , has led scholars to tangle with the familiar question of German sources . The distinction was in effect prompted by Metastasio , who discussed imitation in the first part of his ...
... imitation , which , being cardinal in his aesthetics , has led scholars to tangle with the familiar question of German sources . The distinction was in effect prompted by Metastasio , who discussed imitation in the first part of his ...
Page 70
... Imitation , of the Human Form , as a good portrait ought to be . ( TT ( CC ) 1 Jul 1833 ) Coleridge emphasized that the artist should take the image of things from her or his own mind and not from the senses . Though the observations ...
... Imitation , of the Human Form , as a good portrait ought to be . ( TT ( CC ) 1 Jul 1833 ) Coleridge emphasized that the artist should take the image of things from her or his own mind and not from the senses . Though the observations ...
Page 118
... imitation . Kathleen Coburn points out that Petrarch developed his ideas on imitation , a central theme for any classicist , in a letter to Boccaccio concerning Giovanni da Ravenna ( P Lects , 1949 , 442 n . 7 ) . The imitator must ...
... imitation . Kathleen Coburn points out that Petrarch developed his ideas on imitation , a central theme for any classicist , in a letter to Boccaccio concerning Giovanni da Ravenna ( P Lects , 1949 , 442 n . 7 ) . The imitator must ...
Contents
Introduction | 1 |
Coleridge and Italian Lyric Poetry | 16 |
The Fine Arts | 63 |
Copyright | |
6 other sections not shown
Common terms and phrases
admired allegory argued Ariosto aspects August Wilhelm Schlegel Biographia BL CC Boccaccio Byron Cary Cary's century Chiabrera Christian Classical CM CC CN II Coffman Coleridge thought Coleridge's Coleridge's attitude Coleridge's interest contemporary Cormorant criticism Dante Dante's Divine Comedy early edition eighteenth-century England English example Ficino frescoes Friend CC German Giordano Bruno Greek ibid idea imitation Italian culture Italian language Italian literature Italian poetry Italian Renaissance Italy language Latin Lects CC lectures lines literary literature London lyric poetry madrigals Malta Marino medieval Metastasio metre metrics Michelangelo Milton modern Neoplatonic opera original painters painting passage Petrarch Petrarchan philosophy Platonism poems poetic poets points political Princeton N. J. principles prose PW CC PW EHC quoted Raphael referred Schlegel Shakespeare Shelley Shelley's Sismondi sonnet Soother of Absence Southey style Tasso taste theory tradition transcribed translation TT CC Vico Vico's whereas Wordsworth wrote
References to this book
George Eliot and Italy: Literary, Cultural, and Political Influences from ... Andrew Thompson No preview available - 1998 |